A love letter in song, Camille’s celebrates dear friend Shane MacGowan, Sinéad O’Connor, David Bowie, Radiohead, Brel, Nick Cave and more. Chameleon-like on stage, each song has a different character with its story to tell. Camille with long-time collaborator Feargal Murray has created an intimate, heartfelt show with a little bit of joyful, mad chaos as her life unravels, capturing the honest response to those much loved and lost.

Voted “One of the top 25 performances ever on Later with Jools BBC” Daily Telegraph “ and Queen of the Edinburgh Festival" (BBC), Camille toured with the Pogues, guested at Yoko Ono’s & Richard Thompson’s RFH Meltdown and original star of Olivier Award-winning La Clique. Previously an award-winning architect and painter, Camille was born in London to a French mother and Irish/English father, she grew up in a village in Cork, Ireland listening to her parents & sisters eclectic music collection that shaped her into the unique interpreter she is today.

The multi-award-winning singer has stunned audiences around the world with her five-star sell-out performances, including the Sydney Opera House, Royal Festival Hall, The Roundhouse, won the coveted Herald Angel award for her RSC solo performance ‘The Rape of Lucrece’ and recently an Architectural RIAI 2025 award.

Dark, sexy, fierce, amusing and mesmerizing, Camille transforms each song she performs into an intense, emotional, and theatrical experience. Expect joy and pure passion.

“When she sings it's as though her breath is soaked in paraffin - one spark, and the whole room would ignite” ***** Daily Telegraph

“A cross between Sally Bowles, Patti Smith and P J Harvey… a major star “  ***** The Scotsman

“A masterclass in living a lyric – mesmerizing” ***** - Mail on Sunday

“Ravishing, a superb performer and great singer... the star is her singing voice, a deep sultry instrument that might have been created to express desolate love” **** The Guardian 

“A courageous and singular performer, Camille is one of the most gifted interpreters of narrative songs yet to appear” ***** Irish Times